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„To beast or not to beast - Why do films show so many human-animal hybrids?“

repository_misc/movies/sfile_2746
  • 2014 september 28 13:00  KTU Cultural Centre, Laisvės av. 13, Kaunas
Prof. Dr. Dario Martinelli (1974) is Director of the International Semiotics Institute, Professor at Kaunas University of Technology, and Adjunct Professor at the Universities of Helsinki and of Lapland. He published 7 monographs and more than a hundred among edited collections, studies and scientific articles. His most recent monographs include: Authenticity, Performance and Other Double-Edged Words (Acta Semiotica Fennica, 2011), A Critical Companion to Zoosemiotics (Springer, 2010), Of Birds, Whales and Other Musicians (University of Scranton Press, 2009). In 2006, he was knighted by the Italian Republic for his contribution to Italian culture.
 
Non-human animals and film industry constitute an intense and enduring relationship in popular culture. When Eadweard Muybridge invented the first prototype of a movie projector in 1878, he chose a galloping horse as the quintessential example of cinematic movement. Since then, all sorts of species have appeared in all sorts of films and film genres. Non-human animals in movies are antagonists, protagonists, donors, helpers, foreground and background characters. They represent themselves but also say something about human beings. They are symbols, projections, stereotypes, allegories, taboos, myths and superstitions. 
 
Lights, Camera, Bark! attempts a closer look to this variety and this complexity, employing an interdisciplinary methodology that includes, among others, semiotics, film studies and anthrozoology.